James Thomson (1700-1748)

A Poem Sacred to the Memory of Sir Isaac Newton

Lucretius epigraph

From *De Rerum Natura*: 'A kind of divine pleasure seizes me, and awe, that by your power nature stands revealed.' Thomson frames Newton as the modern Lucretius—explaining nature through natural law, not gods.

His Tibi me Rebus quædam divina Voluptas
Percipit, atque Horror; quod sic Natura tuâ Vi
Tam manifesta patet ex omni Parte retecta.Lucretius.
His Tibi me Rebus quædam divina Voluptas

Lucretius epigraph

From *De Rerum Natura*: 'A kind of divine pleasure seizes me, and awe, that by your power nature stands revealed.' Thomson frames Newton as the modern Lucretius—explaining nature through natural law, not gods.

Percipit, atque Horror; quod sic Natura tuâ Vi
Tam manifesta patet ex omni Parte retecta.Lucretius.
hall the great Soul of Newton quit this Earth,
To mingle with his Stars, and every Muse,
Astonish'd into Silence, shun the Weight
Of Honours due to his illustrious Name!

Sons of Light

Angels. Thomson imagines heaven already celebrating Newton while earthly poets hesitate. He's asking: how do you praise someone the angels are praising?

But what can Man?—Even now the Sons of Light,
In Strains such as delight the Ear of God,
Hail his Arrival on the Coasts of Bliss.
Yet am not I deterr'd, tho' high the Theme,
And sung to Harps of Angels, for with You,
Ætherial Flames! ambitious I aspire
In Nature's general Symphony to join.
And what new Wonders can ye show your Guest!
Who, while on this dim Spot where Mortals toil
Clouded in Dust, from Motion's simple Laws
Could trace the boundless Hand of Providence,
Wide-working thro' this universal Frame.
Have ye not listen'd while He bound the Suns,
And Planets to their Spheres! Th' unequal Task
Of Humankind till then. Oft had they roll'd
O'er erring Man the Year, and oft disgrac'd
The Pride of Schools, before their Course was known
Full in its Causes and Effects to Him,
All-piercing Sage! Who sat not down and dreamt
Romantic Schemes, defended by the Din

Romantic Schemes

Descartes' vortex theory—the 'French Dreamer' mentioned later. Thomson contrasts Newton's empiricism with rationalist systems built on speculation and jargon.

Tyranny of Names

Scholastic philosophy's reliance on Aristotelian terminology. Thomson is saying Newton replaced word-games with observation.

Of specious Words, and Tyranny of Names,
But bidding his amazing Mind attend,
And with heroick Patience Years on Years
Deep-searching, saw at last the System dawn,
And shine, of all his Race, on Him alone.
What were his Raptures then! how pure! how strong!
And what the Triumphs of old Greece and Rome,

Greece and Rome

Military conquests are 'the Pride of Boys' compared to Newton conquering nature itself. Thomson reverses traditional epic values—knowledge beats warfare.

By his diminish'd, but the Pride of Boys
In some small Fray victorious! When instead
Of shatter'd Parcels of this Earth usurp'd
By Violence unmanly, and sore Deeds
Of Cruelty and Blood, Nature herself
Stood all subdu'd by Him, and open laid
Her every latent Glory to his View.
And first our solar System He survey'd
With accurate Ken, and by the mingling Power

Gravitation and Projection

Newton's two forces: gravity pulls inward, inertia (projection) keeps planets moving forward. Together they create stable orbits.

Of Gravitation and Projection saw
The whole in silent Harmony revolve.
Drawn to his lengthen'd Eye th' attending Moons,
Design'd to chear remoter Planets, were
By Him in all their mix'd Proportions seen.
He also fix'd the wandering Queen of Night,

Queen of Night

The moon. Newton explained lunar motion and how the moon's gravity causes tides—the 'obsequious Main' that obeys her pull.

Whether she wanes into a scanty Orb,
Or waxing broad with her pale shadowy Light
In a soft Deluge overflows the Sky.
Her every Motion clear-discerning, He
Adjusted to th' obsequious Main, and taught
Why now the mighty Mass of Waters swells
Resistless, heaving on the broken Rocks,
And the full River turning; till again
The Tide revertive, unattracted, leaves

Yellow Waste

Low tide. Thomson is cataloging Newton's explanation of tides—how the moon's gravity pulls water, then releases it in cycles.

A Yellow Waste of idle Sands behind.
Then breaking hence, He took his ardent Flight
Thro' the blue Infinite; and every Star,
Which the clear Concave of a Winter's Night
Pours on the Eye, or Astronomic Tube,
Far-stretching, snatches from the dark Abyss,
Or such as farther in successive Skies
To Fancy only shine, at his Approach
Blaz'd into Suns. Th' enlivening Centre each
Of an harmonious System. All, combin'd,
And rul'd unerring by that single Power
Which draws the Stone projected to the Ground.

Single Power

Universal gravitation. The same force that makes an apple fall governs stars. Thomson emphasizes the unifying simplicity of Newton's law.

O unprofuse Magnificence divine!
O Wisdom truly perfect! thus to call
From a few Causes such a Scheme of Things,
Effects so various, beautiful, and great,
An Universe compleat! And O Belov'd
Of Heaven! into th' Almighty's Councils thus
To be admitted, and allow'd to scan
The rising, moving, wide-establish'd Frame.
He too, unbaffle'd in his Aim, pursu'd
The Comet thro' the long Elliptic Curve,
As round innumerous Worlds He wound his Way,
Till to the Forehead of the Evening-Sky
Reduc'd, the blazing Wonder glares anew.
The Heavens are all his own. Finish'd by Him
The fair Discovery lies; and every Eye
May lay the useless Telescope aside,
Unless it be to hold the great Acquests
By Newton made: Who from the wild Domain

French Dreamer

Descartes, whose vortex cosmology dominated European thought until Newton. 'All Europe stood appall'd' at having to abandon it for Newtonian mechanics.

Of the French Dreamer rescu'd Heaven and Earth.
All Europe stood appall'd; but found it vain
To keep at Odds with Demonstration strong,
And lingering to resist the awakening Force
Of Truth. At once their pleasing Visions fled,
With the gay Shadows of the Morning mix'd,
When Newton rose, our Philosophic Sun.

Philosophic Sun

Newton as Enlightenment itself. The pun works literally (he studied light) and metaphorically (he illuminated truth).

Th' aerial Flow of Sound was known to Him,
From whence it first in wavy Circles breaks,
Till the touch'd Organ takes the Message in.
Nor could the darting Beam, of Speed immense,
Escape his swift Pursuit, and measuring Glance.
Even Light itself, which every thing displays,
Shone undiscover'd, till his brighter Minds
Untwisted all the shining Robe of Day;
And from the whitening, undistinguish'd Blaze,
Collecting every Ray into his Kind,

Parent-Colours

Newton's prism experiments proved white light contains all colors. 'Parent' because all other hues mix from these seven primaries.

To the charm'd Eye educ'd the gorgeous Train
Of Parent-Colours. First the flaming Red
Sprung vivid forth; the tawny Orange next;
And then delicious Yellow; by whose Side
Fell the kind Beams of all-refreshing Green.
Then the pure Blue that swells autumnal Skies
Æthereal play'd; and then of sadder Hue
Emerg'd the deepen'd Indico, as when
The heavy-skirted Evening droops with Frost.
While the last Gleanings of refracted Light
Dy'd in the fainting Violet away.
These, when the Clouds distill the rosy Shower,
Shine out distinct adown the watry Bow,
While o'er our Heads the dewy Vision bends
Delightful, melting on the Fields beneath.
Myriads of mingling Dies from these result,
And Myriads still remain, th' exhaustless Source
Of Beauty ever-flushing, ever-new!
Did ever Poet image ought so fair,
Dreaming in whispering Groves, by the hoarse Brook!
Or Prophet, to whose Rapture Heaven descends!
Even now the setting Sun and liveri'd Clouds,

Greenwich Heights

Royal Observatory at Greenwich. Thomson is literally looking at a sunset from the center of British astronomy, seeing Newton's optics in action.

Seen, Greenwich, from thy lovely Heights, declare
How just, how beauteous the refractive Law.

Tide of Time

Newton's chronology work—he tried to establish accurate ancient dates by correlating astronomical events with historical records.

The noiseless Tide of Time, all bearing down
To vast Eternity's unbounded Sea
Where the green Islands of the Happy shine,
He backward stem'd alone; and to it's Source
Ascending, mark'd it's Periods, and hung out
His Lights at equal Distances to guide
Historian, wilder'd on his darksome Way.
But who can number up his Labours? Who
His high Discoveries sing? When but a Few
Of the deep-studying Race can stretch their Minds
To image what He knew, as clear as They
The Truths self-evident with which He link'd
His farthest Views. For is there ought that's great,
That's wonderful, and hard, deterring Search?
That was his Prize! and worthy of his Toil
Unfailing, Who the lonely Monarch reign'd
Of Science thin-inhabited below.
What Wonder then that his Devotion swell'd
Responsive to his Knowledge! For could He,
Whose piercing mental Eye diffusive saw
The finish'd University of Things,
In all its Order, Magnitude, and Parts,
Forbear incessant to adore that Power
Who fills, sustains, and actuates the whole.
Say, ye who best can tell, ye happy Few,
Who saw him in the softest Lights of Life,
All unwithheld, indulging to his Friends
The vast, unborrow'd Treasures of his Mind,
O speak the wondrous Man! how mild, how calm,
How greatly humble, how divinely good,
How firm, establish'd on eternal Truth,
Pure as his Faith, and active as his Love,
Fervent in Doing well, with every Nerve
Still pressing on, forgetful of the Past,
And panting for Perfection! far above
Those little Cares, and visionary Joys
That so befool the fond, impassion'd Heart
Of ever-cheated, ever-trusting Man.
And say, ye downward, gloomy-minded Tribe,
Ye who, unconscious of those nobler Flights
That reach impatient at immortal Life,
Against the prime, indearing Priviledge
Of Being dare contend, say can a Soul
Of such extensive, deep, tremendous Powers,
Enlarging still, be but a finer Breath
Of Spirits dancing thro' their Tubes awhile,

Spirits dancing

Materialist theory that thought is just matter in motion. Thomson attacks it: how could Newton's vast mind be mere 'Breath / Of Spirits dancing thro' their Tubes'?

And then for ever lost in vacant Air?
But hark! Methinks I hear a warning Voice,
Solemn as when some awful Change is come,
Sound thro' the World—"He's dead.—The Measure's full,
"And I resign my Charge.—Ye mouldering Stones
That build the towring Pyramid, the proud
Triumphal Arch, the Monument effac'd
By ruthless Ruin, and whate'er supports
The worship'd Name of grey Antiquity,
Down to the Dust! What Grandeur can Ye
While Newton lifts his Column to the Skies
Beyond the Waste of Time!—Let no weak Drop
Be shed for Him. The Beauty in her Bloom
Cut off, the joyous Youth, and darling Child,
These are the Tombs that claim the tender Tear,
And Elegiac Song. But Newton calls
For other Notes of Gratulation high,
That now He wanders thro' those endless Worlds
He here so well descry'd, and wondering talks,
And Hymns their Author with his glad Compeers.
O Britain's Boast! Whether with Angels Thou
Sittest in dread Discourse, or Fellow-Saints
Who joy to see the Honour of their Kind;
Or whether, mounted on Cherubic Wing,
Thy swift Careeer is with the whirling Spheres,
Comparing Things with Things, in Rapture lost
And lowly Adoration for that Light
So plenteous ray'd into thy Mind below,
From Light Himself, O look with Pity down
On Humankind, a frail, erroneous Race!
Asswage the Madness of a frantic World!
But chiefly o'er thy Country's Cause preside,
And be her Genius call'd! Her Councils steer,
Correct her Manners, and inspire her Youth!
For, guilty as she is, she brought Thee forth,
And glories in thy Name; she points Thee out
To all her Sons, and bids Them eye thy Star:
While in Expectance of th' arrousing Blast,
When Time shall be no more, thy sacred Dust

Westminster Abbey

Newton was buried in Westminster Abbey among kings—unprecedented for a scientist. 'Dignifies the Scene' means he honors the place, not vice versa.

Sleeps with her Kings, and dignifies the Scene.
hall the great Soul of Newton quit this Earth,
To mingle with his Stars, and every Muse,
Astonish'd into Silence, shun the Weight
Of Honours due to his illustrious Name!
But what can Man?—Even now the Sons of Light,

Sons of Light

Angels. Thomson imagines heaven already celebrating Newton while earthly poets hesitate. He's asking: how do you praise someone the angels are praising?

In Strains such as delight the Ear of God,
Hail his Arrival on the Coasts of Bliss.
Yet am not I deterr'd, tho' high the Theme,
And sung to Harps of Angels, for with You,
Ætherial Flames! ambitious I aspire
In Nature's general Symphony to join.
And what new Wonders can ye show your Guest!
Who, while on this dim Spot where Mortals toil
Clouded in Dust, from Motion's simple Laws
Could trace the boundless Hand of Providence,
Wide-working thro' this universal Frame.
Have ye not listen'd while He bound the Suns,
And Planets to their Spheres! Th' unequal Task
Of Humankind till then. Oft had they roll'd
O'er erring Man the Year, and oft disgrac'd
The Pride of Schools, before their Course was known
Full in its Causes and Effects to Him,
All-piercing Sage! Who sat not down and dreamt

Romantic Schemes

Descartes' vortex theory—the 'French Dreamer' mentioned later. Thomson contrasts Newton's empiricism with rationalist systems built on speculation and jargon.

Romantic Schemes, defended by the Din
Of specious Words, and Tyranny of Names,

Tyranny of Names

Scholastic philosophy's reliance on Aristotelian terminology. Thomson is saying Newton replaced word-games with observation.

But bidding his amazing Mind attend,
And with heroick Patience Years on Years
Deep-searching, saw at last the System dawn,
And shine, of all his Race, on Him alone.
What were his Raptures then! how pure! how strong!

Greece and Rome

Military conquests are 'the Pride of Boys' compared to Newton conquering nature itself. Thomson reverses traditional epic values—knowledge beats warfare.

And what the Triumphs of old Greece and Rome,
By his diminish'd, but the Pride of Boys
In some small Fray victorious! When instead
Of shatter'd Parcels of this Earth usurp'd
By Violence unmanly, and sore Deeds
Of Cruelty and Blood, Nature herself
Stood all subdu'd by Him, and open laid
Her every latent Glory to his View.
And first our solar System He survey'd
With accurate Ken, and by the mingling Power
Of Gravitation and Projection saw

Gravitation and Projection

Newton's two forces: gravity pulls inward, inertia (projection) keeps planets moving forward. Together they create stable orbits.

The whole in silent Harmony revolve.
Drawn to his lengthen'd Eye th' attending Moons,
Design'd to chear remoter Planets, were
By Him in all their mix'd Proportions seen.

Queen of Night

The moon. Newton explained lunar motion and how the moon's gravity causes tides—the 'obsequious Main' that obeys her pull.

He also fix'd the wandering Queen of Night,
Whether she wanes into a scanty Orb,
Or waxing broad with her pale shadowy Light
In a soft Deluge overflows the Sky.
Her every Motion clear-discerning, He
Adjusted to th' obsequious Main, and taught
Why now the mighty Mass of Waters swells
Resistless, heaving on the broken Rocks,
And the full River turning; till again
The Tide revertive, unattracted, leaves
A Yellow Waste of idle Sands behind.

Yellow Waste

Low tide. Thomson is cataloging Newton's explanation of tides—how the moon's gravity pulls water, then releases it in cycles.

Then breaking hence, He took his ardent Flight
Thro' the blue Infinite; and every Star,
Which the clear Concave of a Winter's Night
Pours on the Eye, or Astronomic Tube,
Far-stretching, snatches from the dark Abyss,
Or such as farther in successive Skies
To Fancy only shine, at his Approach
Blaz'd into Suns. Th' enlivening Centre each
Of an harmonious System. All, combin'd,
And rul'd unerring by that single Power

Single Power

Universal gravitation. The same force that makes an apple fall governs stars. Thomson emphasizes the unifying simplicity of Newton's law.

Which draws the Stone projected to the Ground.
O unprofuse Magnificence divine!
O Wisdom truly perfect! thus to call
From a few Causes such a Scheme of Things,
Effects so various, beautiful, and great,
An Universe compleat! And O Belov'd
Of Heaven! into th' Almighty's Councils thus
To be admitted, and allow'd to scan
The rising, moving, wide-establish'd Frame.
He too, unbaffle'd in his Aim, pursu'd
The Comet thro' the long Elliptic Curve,
As round innumerous Worlds He wound his Way,
Till to the Forehead of the Evening-Sky
Reduc'd, the blazing Wonder glares anew.
The Heavens are all his own. Finish'd by Him
The fair Discovery lies; and every Eye
May lay the useless Telescope aside,
Unless it be to hold the great Acquests
By Newton made: Who from the wild Domain
Of the French Dreamer rescu'd Heaven and Earth.

French Dreamer

Descartes, whose vortex cosmology dominated European thought until Newton. 'All Europe stood appall'd' at having to abandon it for Newtonian mechanics.

All Europe stood appall'd; but found it vain
To keep at Odds with Demonstration strong,
And lingering to resist the awakening Force
Of Truth. At once their pleasing Visions fled,
With the gay Shadows of the Morning mix'd,

Philosophic Sun

Newton as Enlightenment itself. The pun works literally (he studied light) and metaphorically (he illuminated truth).

When Newton rose, our Philosophic Sun.
Th' aerial Flow of Sound was known to Him,
From whence it first in wavy Circles breaks,
Till the touch'd Organ takes the Message in.
Nor could the darting Beam, of Speed immense,
Escape his swift Pursuit, and measuring Glance.
Even Light itself, which every thing displays,
Shone undiscover'd, till his brighter Minds
Untwisted all the shining Robe of Day;
And from the whitening, undistinguish'd Blaze,
Collecting every Ray into his Kind,
To the charm'd Eye educ'd the gorgeous Train

Parent-Colours

Newton's prism experiments proved white light contains all colors. 'Parent' because all other hues mix from these seven primaries.

Of Parent-Colours. First the flaming Red
Sprung vivid forth; the tawny Orange next;
And then delicious Yellow; by whose Side
Fell the kind Beams of all-refreshing Green.
Then the pure Blue that swells autumnal Skies
Æthereal play'd; and then of sadder Hue
Emerg'd the deepen'd Indico, as when
The heavy-skirted Evening droops with Frost.
While the last Gleanings of refracted Light
Dy'd in the fainting Violet away.
These, when the Clouds distill the rosy Shower,
Shine out distinct adown the watry Bow,
While o'er our Heads the dewy Vision bends
Delightful, melting on the Fields beneath.
Myriads of mingling Dies from these result,
And Myriads still remain, th' exhaustless Source
Of Beauty ever-flushing, ever-new!
Did ever Poet image ought so fair,
Dreaming in whispering Groves, by the hoarse Brook!
Or Prophet, to whose Rapture Heaven descends!

Greenwich Heights

Royal Observatory at Greenwich. Thomson is literally looking at a sunset from the center of British astronomy, seeing Newton's optics in action.

Even now the setting Sun and liveri'd Clouds,
Seen, Greenwich, from thy lovely Heights, declare
How just, how beauteous the refractive Law.
The noiseless Tide of Time, all bearing down

Tide of Time

Newton's chronology work—he tried to establish accurate ancient dates by correlating astronomical events with historical records.

To vast Eternity's unbounded Sea
Where the green Islands of the Happy shine,
He backward stem'd alone; and to it's Source
Ascending, mark'd it's Periods, and hung out
His Lights at equal Distances to guide
Historian, wilder'd on his darksome Way.
But who can number up his Labours? Who
His high Discoveries sing? When but a Few
Of the deep-studying Race can stretch their Minds
To image what He knew, as clear as They
The Truths self-evident with which He link'd
His farthest Views. For is there ought that's great,
That's wonderful, and hard, deterring Search?
That was his Prize! and worthy of his Toil
Unfailing, Who the lonely Monarch reign'd
Of Science thin-inhabited below.
What Wonder then that his Devotion swell'd
Responsive to his Knowledge! For could He,
Whose piercing mental Eye diffusive saw
The finish'd University of Things,
In all its Order, Magnitude, and Parts,
Forbear incessant to adore that Power
Who fills, sustains, and actuates the whole.
Say, ye who best can tell, ye happy Few,
Who saw him in the softest Lights of Life,
All unwithheld, indulging to his Friends
The vast, unborrow'd Treasures of his Mind,
O speak the wondrous Man! how mild, how calm,
How greatly humble, how divinely good,
How firm, establish'd on eternal Truth,
Pure as his Faith, and active as his Love,
Fervent in Doing well, with every Nerve
Still pressing on, forgetful of the Past,
And panting for Perfection! far above
Those little Cares, and visionary Joys
That so befool the fond, impassion'd Heart
Of ever-cheated, ever-trusting Man.
And say, ye downward, gloomy-minded Tribe,
Ye who, unconscious of those nobler Flights
That reach impatient at immortal Life,
Against the prime, indearing Priviledge
Of Being dare contend, say can a Soul
Of such extensive, deep, tremendous Powers,
Enlarging still, be but a finer Breath

Spirits dancing

Materialist theory that thought is just matter in motion. Thomson attacks it: how could Newton's vast mind be mere 'Breath / Of Spirits dancing thro' their Tubes'?

Of Spirits dancing thro' their Tubes awhile,
And then for ever lost in vacant Air?
But hark! Methinks I hear a warning Voice,
Solemn as when some awful Change is come,
Sound thro' the World—"He's dead.—The Measure's full,
"And I resign my Charge.—Ye mouldering Stones
That build the towring Pyramid, the proud
Triumphal Arch, the Monument effac'd
By ruthless Ruin, and whate'er supports
The worship'd Name of grey Antiquity,
Down to the Dust! What Grandeur can Ye
While Newton lifts his Column to the Skies
Beyond the Waste of Time!—Let no weak Drop
Be shed for Him. The Beauty in her Bloom
Cut off, the joyous Youth, and darling Child,
These are the Tombs that claim the tender Tear,
And Elegiac Song. But Newton calls
For other Notes of Gratulation high,
That now He wanders thro' those endless Worlds
He here so well descry'd, and wondering talks,
And Hymns their Author with his glad Compeers.
O Britain's Boast! Whether with Angels Thou
Sittest in dread Discourse, or Fellow-Saints
Who joy to see the Honour of their Kind;
Or whether, mounted on Cherubic Wing,
Thy swift Careeer is with the whirling Spheres,
Comparing Things with Things, in Rapture lost
And lowly Adoration for that Light
So plenteous ray'd into thy Mind below,
From Light Himself, O look with Pity down
On Humankind, a frail, erroneous Race!
Asswage the Madness of a frantic World!
But chiefly o'er thy Country's Cause preside,
And be her Genius call'd! Her Councils steer,
Correct her Manners, and inspire her Youth!
For, guilty as she is, she brought Thee forth,
And glories in thy Name; she points Thee out
To all her Sons, and bids Them eye thy Star:
While in Expectance of th' arrousing Blast,
When Time shall be no more, thy sacred Dust
Sleeps with her Kings, and dignifies the Scene.

Westminster Abbey

Newton was buried in Westminster Abbey among kings—unprecedented for a scientist. 'Dignifies the Scene' means he honors the place, not vice versa.

Source Wikipedia Poetry Foundation

Reading Notes

The Poem as Scientific Catalog

CONTEXT Newton died March 1727; Thomson published this elegy by May 1727, making it one of the first major literary responses to Newton's death. Thomson was 27, already known for *The Seasons* (1726-30), a poem series that applied Newtonian observation to nature poetry. This isn't a traditional elegy—it's a teaching poem that walks through Newton's discoveries as proof of his immortality.

The structure is a systematic tour of Newtonian physics: universal gravitation (lines 39-91), lunar theory and tides (92-105), astronomy (106-125), comets (126-133), optics and the spectrum (143-177), sound waves (141-142), and chronology (178-184). Thomson is **versifying the *Principia* and *Opticks*. Notice how he translates equations into blank verse: 'the mingling Power / Of Gravitation and Projection' is Newton's law of orbital motion rendered as poetry.

The 'French Dreamer' passage (134-140) matters because it positions Newton as Britain's answer to Descartes. Cartesian physics dominated continental Europe—his vortex theory claimed invisible whirlpools pushed planets around. Newton's math-based gravitational theory demolished this, and Thomson frames it as intellectual warfare: Britain's empiricism defeating France's rationalism. 'All Europe stood appall'd' isn't hyperbole—Newton's work genuinely overturned the scientific consensus.

Watch Thomson's handling of the spectrum (153-177). He lists the seven Newtonian colors in order (red, orange, yellow, green, blue, indigo, violet) with specific adjectives for each: 'flaming Red,' 'tawny Orange,' 'delicious Yellow.' This is ekphrasis of a scientific experiment**. The rainbow becomes proof of Newton's law ('how just, how beauteous the refractive Law'), and Thomson positions himself at Greenwich Observatory watching a sunset—he's observing nature through Newtonian eyes. Poetry becomes applied physics.

Genre: Epic Elegy

CONTEXT The opening gesture—'Shall the great Soul of Newton quit this Earth / To mingle with his Stars'—is epic invocation repurposed for science. Thomson asks whether to write the poem at all, since angels are already singing Newton's praises. This is mock-modesty, but it establishes the poem's central problem: how do you elegize someone who transcended human limits?

Traditional elegies mourn loss. Thomson refuses mourning: 'Let no weak Drop / Be shed for Him' (lines 265-266). Instead of grief, he demands 'Notes of Gratulation high'—celebration, not sorrow. Why? Because Newton achieved what the poem calls 'immortal Life' through discovery. His mind lives on in his laws. The poem's logic: conquerors die and are forgotten ('mouldering Stones / That build the towring Pyramid'), but Newton 'lifts his Column to the Skies / Beyond the Waste of Time.' Scientific truth is permanent in a way military glory isn't.

The anti-war theme runs throughout. Lines 66-73 contrast Newton's conquest of nature with military conquest: 'what the Triumphs of old Greece and Rome, / By his diminish'd, but the Pride of Boys / In some small Fray victorious!' Where Alexander conquered 'shatter'd Parcels of this Earth,' Newton conquered 'Nature herself.' This is radical for 1727—Thomson is saying intellectual achievement matters more than empire-building. The poem becomes Whig propaganda: Britain's greatness lies in producing Newtons, not generals.

Notice the final address (lines 282-303): Thomson asks Newton's ghost to 'preside' over Britain, steering her councils and inspiring youth. This turns Newton into a secular patron saint. The poem ends not at the grave but in heaven, with Newton comparing earthly and celestial physics. Death isn't an ending—it's Newton finally getting to test his theories firsthand. The elegy becomes a kind of graduation ceremony: Newton has moved from student of nature to its full participant.