Sidney Lanier

The Dying Words of Stonewall Jackson

“{{smallcaps|Order}} A. P. Hill to prepare for battle.”
“Tell Major Hawks to advance the Commissary train.”
“Let us cross the river and rest in the shade.”

Death as transition

Metaphor of day/night suggests death as a natural passage, not an ending. Cosmic perspective on mortality.

The stars of Night contain the glittering Day
And rain his glory down with sweeter grace
Upon the dark World’s grand, enchanted face—
All loth to turn away.
And so the Day, about to yield his breath,
Utters the stars unto the listening Night,
To stand for burning fare-thee-wells of light
Said on the verge of death.
O hero-life that lit us like the sun!

Confederate heroic language

Typical Lost Cause rhetoric: transforming military defeat into mythic heroism. Jackson becomes symbolic figure.

O hero-words that glittered like the stars
And stood and shone above the gloomy wars
When the hero-life was done!
The phantoms of a battle came to dwell
I’ the fitful vision of his dying eyes—
Yet even in battle-dreams, he sends supplies
To those he loved so well.
His army stands in battle-line arrayed:
His couriers fly: all’s done: now God decide!
—And not till then saw he the Other Side
Or would accept the shade.
Thou Land whose sun is gone, thy stars remain!
Still shine the words that miniature his deeds.
O thrice-beloved, where’er thy great heart bleeds,
Solace hast thou for pain!
Source Wikipedia Poetry Foundation

Reading Notes

Jackson's Final Moments: Myth and Memory

CONTEXT Stonewall Jackson was a legendary Confederate general who was accidentally shot by his own troops in 1863 and died shortly after. This poem transforms his death into a heroic narrative.

Lanier, himself a Confederate veteran, uses cosmic metaphors to elevate Jackson from individual soldier to symbolic figure. The poem's structure moves from specific battlefield details to grand, universal language about heroism and sacrifice.

Poetic Technique: Elegiac Transformation

The poem uses astronomical imagery to reframe death as transition. Day becomes night, battles become memories, individual life becomes collective legend.

Notice how Lanier uses repeated structures ("hero-life", "hero-words") to create a rhythmic elevation of Jackson's final moments. The poem turns a military death into a quasi-religious transformation.