Thomas Wyatt

Blame not my lute

Poetic Defense Mechanism

Wyatt uses the lute as a metaphorical shield. The instrument becomes a proxy for speaking uncomfortable truths.

Blame not my lute, for he must sound
Of this or that as liketh me:
For lack of wit the lute is bound
To give such tunes as pleaseth me.
Though my songs be somewhat strange,

Court Poetry Strategy

Coded language allows critique without direct accusation. 'Strange' songs hint at political/romantic tension.

And speaks such words as touch thy change,

Rhetorical Deflection

Repeated refrain shifts blame from poet to subject. Classic Renaissance rhetorical move of plausible deniability.

Blame not my lute.
My lute, alas, doth not offend,
Though that perforce he must agree
To sound such tunes as I intend
To sing to them that heareth me.
Then though my songs he somewhat plain,
And toucheth some that use to feign,
Blame not my lute.

Rhetorical Deflection

Repeated refrain shifts blame from poet to subject. Classic Renaissance rhetorical move of plausible deniability.

My lute and strings may not deny,
But as I strike they must obey:
Break not them then so wrongfully,
But wreak thyself some wiser way.
And though the songs which I indite
Do quit thy change with rightful spite,

Rhetorical Deflection

Repeated refrain shifts blame from poet to subject. Classic Renaissance rhetorical move of plausible deniability.

Blame not my lute.
Spite asketh spite, and changing change,
And falsèd faith must needs be known;
The fault so great, the case so strange,
Of right it must abroad be blown.
Then since that by thine own desert
My songs do tell how true thou art,
Blame not my lute.

Rhetorical Deflection

Repeated refrain shifts blame from poet to subject. Classic Renaissance rhetorical move of plausible deniability.

Blame but thyself, that hast misdone
And well deservèd to have blame;
Change thou thy way so evil begun,
And then my lute shall sound that same.
But if till then my fingers play
By thy desert their wonted way,

Rhetorical Deflection

Repeated refrain shifts blame from poet to subject. Classic Renaissance rhetorical move of plausible deniability.

Blame not my lute.
Farewell, unknown, for though thou break
My strings in spite with great disdain,
Yet have I found out for thy sake

Performative Vulnerability

The broken strings suggest emotional damage, but also resilience. Poet will always find new ways to speak.

Strings for to string my lute again.
And if perchance this foolish rhyme
Do make thee blush at any time,

Rhetorical Deflection

Repeated refrain shifts blame from poet to subject. Classic Renaissance rhetorical move of plausible deniability.

Blame not my lute.
Source Wikipedia Poetry Foundation

Reading Notes

Courtly Love as Political Critique

Thomas Wyatt operated in Henry VIII's dangerous court, where indirect communication was a survival skill. This poem uses the courtly love tradition as a coded language for potential betrayal or political criticism.

The lute becomes a brilliant metaphor: an instrument that must play what its master demands, much like a courtier navigating royal politics. By repeatedly insisting 'Blame not my lute', Wyatt creates a rhetorical shield that protects himself while still delivering sharp critique.

Structural Defiance in Renaissance Poetry

Wyatt's repetitive structure is deliberate. Each stanza ends with 'Blame not my lute', creating a rhythmic argument that mirrors legal testimony—systematic, controlled, unemotional.

The poem's technical brilliance lies in its emotional restraint. Despite clear hurt, the poet never directly attacks his subject. Instead, he creates a complex linguistic performance where the very act of denying blame becomes its own form of accusation.